NEW ITEMS
F1: Help
• CTRL+ESC: Open Start menu
• ALT+TAB: Switch between open programs
• ALT+F4: Quit program
• SHIFT+DELETE: Delete item permanently

Windows Program Key Combinations
• CTRL+C: Copy
• CTRL+X: Cut
• CTRL+V: Paste
• CTRL+Z: Undo
• CTRL+B: Bold
• CTRL+U: Underline
• CTRL+I: Italic

Mouse Click/Keyboard Modifier Combinations for Shell Objects
• SHIFT+right click: Displays a shortcut menu containing alternative
commands
• SHIFT+double click: Runs the alternate default command (the second item on
the menu)
• ALT+double click: Displays properties
• SHIFT+DELETE: Deletes an item immediately without placing it in the
Recycle Bin

General Keyboard-Only Commands
• F1: Starts Windows Help
• F10: Activates menu bar options
• SHIFT+F10 Opens a shortcut menu for the selected item (this is the same as
right-clicking an object
• CTRL+ESC: Opens the Start menu (use the ARROW keys to select an item)
• CTRL+ESC or ESC: Selects the Start button (press TAB to select the
taskbar, or press SHIFT+F10 for a context menu)
• ALT+DOWN ARROW: Opens a drop-down list box
• ALT+TAB: Switch to another running program (hold down the ALT key and then
press the TAB key to view the task-switching window)
• SHIFT: Press and hold down the SHIFT key while you insert a CD-ROM to
bypass the automatic-run feature
• ALT+SPACE: Displays the main window's System menu (from the System menu,
you can restore, move, resize, minimize, maximize, or close the window)
• ALT+- (ALT+hyphen): Displays the Multiple Document Interface (MDI) child
window's System menu (from the MDI child window's System menu, you can
restore, move, resize, minimize, maximize, or close the child window)
• CTRL+TAB: Switch to the next child window of a Multiple Document Interface
(MDI) program
• ALT+underlined letter in menu: Opens the menu
• ALT+F4: Closes the current window
• CTRL+F4: Closes the current Multiple Document Interface (MDI) window
• ALT+F6: Switch between multiple windows in the same program (for example,
when the Notepad Find dialog box is displayed, ALT+F6 switches between the
Find dialog box and the main Notepad window)

Shell Objects and General Folder/Windows Explorer Shortcuts
For a selected object: • F2: Rename object
• F3: Find all files
• CTRL+X: Cut
• CTRL+C: Copy
• CTRL+V: Paste
• SHIFT+DELETE: Delete selection immediately, without moving the item to the
Recycle Bin
• ALT+ENTER: Open the properties for the selected object

To Copy a File
Press and hold down the CTRL key while you drag the file to another folder.
To Create a Shortcut
Press and hold down CTRL+SHIFT while you drag a file to the desktop or a
folder.
General Folder/Shortcut Control
• F4: Selects the Go To A Different Folder box and moves down the entries in
the box (if the toolbar is active in Windows Explorer)
• F5: Refreshes the current window.
• F6: Moves among panes in Windows Explorer
• CTRL+G: Opens the Go To Folder tool (in Windows 95 Windows Explorer only)
• CTRL+Z: Undo the last command
• CTRL+A: Select all the items in the current window
• BACKSPACE: Switch to the parent folder
• SHIFT+click+Close button: For folders, close the current folder plus all
parent folders

Windows Explorer Tree Control
• Numeric Keypad *: Expands everything under the current selection
• Numeric Keypad +: Expands the current selection
• Numeric Keypad -: Collapses the current selection.
• RIGHT ARROW: Expands the current selection if it is not expanded,
otherwise goes to the first child
• LEFT ARROW: Collapses the current selection if it is expanded, otherwise
goes to the parent

Properties Control
• CTRL+TAB/CTRL+SHIFT+TAB: Move through the property tabs

Accessibility Shortcuts
• Press SHIFT five times: Toggles StickyKeys on and off
• Press down and hold the right SHIFT key for eight seconds: Toggles
FilterKeys on and off
• Press down and hold the NUM LOCK key for five seconds: Toggles ToggleKeys
on and off
• Left ALT+left SHIFT+NUM LOCK: Toggles MouseKeys on and off
• Left ALT+left SHIFT+PRINT SCREEN: Toggles high contrast on and off

Microsoft Natural Keyboard Keys
• Windows Logo: Start menu
• Windows Logo+R: Run dialog box
• Windows Logo+M: Minimize all
• SHIFT+Windows Logo+M: Undo minimize all
• Windows Logo+F1: Help
• Windows Logo+E: Windows Explorer
• Windows Logo+F: Find files or folders
• Windows Logo+D: Minimizes all open windows and displays the desktop
• CTRL+Windows Logo+F: Find computer
• CTRL+Windows Logo+TAB: Moves focus from Start, to the Quick Launch
toolbar, to the system tray (use RIGHT ARROW or LEFT ARROW to move focus to
items on the Quick Launch toolbar and the system tray)
• Windows Logo+TAB: Cycle through taskbar buttons
• Windows Logo+Break: System Properties dialog box
• Application key: Displays a shortcut menu for the selected item

Microsoft Natural Keyboard with IntelliType Software Installed
• Windows Logo+L: Log off Windows
• Windows Logo+P: Starts Print Manager
• Windows Logo+C: Opens Control Panel
• Windows Logo+V: Starts Clipboard
• Windows Logo+K: Opens Keyboard Properties dialog box
• Windows Logo+I: Opens Mouse Properties dialog box
• Windows Logo+A: Starts Accessibility Options (if installed)
• Windows Logo+SPACEBAR: Displays the list of Microsoft IntelliType shortcut
keys
• Windows Logo+S: Toggles CAPS LOCK on and off

Dialog Box Keyboard Commands
• TAB: Move to the next control in the dialog box
• SHIFT+TAB: Move to the previous control in the dialog box
• SPACEBAR: If the current control is a button, this clicks the button. If
the current control is a check box, this toggles the check box. If the
current control is an option, this selects the option.
• ENTER: Equivalent to clicking the selected button (the button with the
outline)
• ESC: Equivalent to clicking the Cancel button
• ALT+underlined letter in dialog box item: Move to the corresponding item


To tab through pages in a properties dialog box
Ctrl + Tab or Ctrl + Shift + Tab

To switch between opening a new window and closing an existing window
Press Ctrl and double-click a folder.


If you have more than one window open, this operation closes the active
window. If only one window is open, this operation will open a new window.

To bypass Autorun when inserting a compact disc Press Shift while inserting
the compact disc.

Common shortcuts
Description
Shortcut Key

Copy
Ctrl + C

Open
Ctrl + O

Print
Ctrl + P

Save
Ctrl + S

Paste
Ctrl + V

Cut
Ctrl + X

Undo
Ctrl + Z

Display contextual Help window
F1

Activate context-sensitive Help mode (What's This?)
Shift + F1

Display pop-up menu
Shift + F10

Select (same as 1 click of mouse button)
Spacebar

Cancel
Esc

Activate or inactivate menu bar mode
Alt

Display next primary window
Alt + Tab

Display next window
Alt + Esc

Display pop-up menu for window
Alt + Spacebar

Display pop-up menu for active child window (MDI)
Alt + Hyphen

Display properties
Alt + Enter

Close active window
Alt + F4

Switch to next window within application (between modeless secondary windows
and their primary window)
Alt + F6

Capture focus window to Clipboard
Alt + Print Screen

Capture desktop image to Clipboard
Print Screen

Access Start button in taskbar
Ctrl + Esc

Rename
F2

Find
F3

Delete
Delete

Delete file immediately without going to Recycle Bin
Shift + Delete

Display properties
Alt + double-click

Explore an object; if the object does not have an Explore command, this
starts the default action (usually the Open command)
Shift + double-click

Display next child window (MDI)
Ctrl + F6

Display next tabbed page or child window (MDI)
Ctrl + Tab

Reserved for system use
Ctrl + Alt + Del


Shortcuts for managing folders and Windows Explorer
Description
Shortcut Key

In Windows Explorer, display combo box and move input focus to list
F4

Refresh display
F5

In Windows Explorer, move focus between panes
F6 (Tab)

In Windows Explorer, choose Go To command
Ctrl + G

Undo
Ctrl + Z

Select All
Ctrl + A

Go to parent folder
Backspace


Shortcuts in the Windows Explorer tree
Description
Shortcut Key

Expand everything under selection
* on numeric key

Expand selection
+ on numeric keypad

Collapse selection
– on numeric keypad

Expand current selection if it is not expanded; otherwise, go to first child
Right Arrow

Move forward to a previous view
Alt + Right Arrow

Collapse current selection if it is expanded; otherwise, go to parent
Left Arrow

Move backward to a previous view
Alt + Left Arrow

Scroll without moving selection
Ctrl + Arrow


Shortcuts for Internet Explorer
Description
Shortcut Key

Activate a selected link
Tab + Enter

Display a shortcut menu for a link
Shift + F10

Go to a new location
Ctrl + O

Go to next page
Alt + Right Arrow

Go to previous page
Alt + Left Arrow

Move back between frames
Shift + Ctrl + Tab

Move forward between frames
Ctrl + Tab

Move to beginning of document
Home

Move to end of document
End

Open a new window
Ctrl + N

Print current page or active frame
Ctrl + P

Refresh current page
F5

Scroll toward beginning of a document
Up Arrow

Scroll toward beginning of a document in larger increments
Page Up

Scroll toward end of a document
Down Arrow

Scroll toward end of a document in larger increments
Page Down

Stop downloading a page
Esc

Save current page
Ctrl + S

Skip to break and separation characters in URLs
Ctrl + Arrow

Skip to the end of the auto-completed URL
Ctrl + End


Shortcuts in the common Open and Save dialog boxes
Description
Shortcut Key

Cancel current task
Esc

Click corresponding command
Alt + Underlined Letter

Click selected button
Enter

Move forward through options
Tab

Move backward through options
Shift + Tab

Move forward though tabs
Ctrl + Tab

Move backward though tabs
Ctrl + Shift + Tab

Click a button if current control is a button; select (clear) check box if
current control is a check box; or click option if current control is an
option button
Spacebar

Open a folder one level up, if it is selected in Save As or Open dialog box
Backspace

Display Look In or Save In list within Save As or Open dialog box
F4

Refresh view
F5

Go to parent folder if focus is on View window
Backspace


General Keyboard-only Commands
Description
Shortcut Key

Display next window
Alt + Esc

Display pop-up window for window
Alt + Space

Display pop-up window for active child window
Alt + Hyphen

Display properties
Alt + Enter

Carry out corresponding command on main Menu bar, such as Format menu bar
Alt + underlined letter in menu bar

Carry out corresponding command of Menu item, such as Font command, Located
in Format menu
Shift + underlined letter in menu

Close application or window
Alt + F4

Switch to next window in application
Alt + F6

Switch to window you last used, or Switch to another window
by holding Down Alt and repeatedly pressing Tab Alt + Tab

Copy active window to Clipboard
Alt + Print Screen

Copy desktop to Clipboard
Print Screen

Close current window in (MDI) programs
Ctrl + F4

Display next child window
Ctrl + F6

Task List
Ctrl + Alt + Del

Start Help
F1

Go to menu mode
F10

Display context menu for selected item
Shift + F10

Display Start menu and move focus to taskbar
Ctrl + Esc

Move focus on taskbar so you can use Tab and then SHIFT+F10 for context
menu, or use Tab and arrow key to change tasks, or use TAB to go to desktop
Ctrl + Esc, Esc

Switch to next running application
Alt + Tab

When focus is on taskbar or desktop, minimize all windows and move focus to
desktop
Alt + M

When no windows are open and no items are selected on desktop, display Start
menu; then use arrow keys to select menu commands
Alt + S


Keyboard Shortcuts using the Windows Key
Description
Shortcut Key

Display Start menu
Windows Logo Key

Start Help
Win + F1

Cycle through taskbar buttons
Win + Tab

Start Windows Explorer
Win +E

Find files or folders
Win + F

Find computer
Win + Ctrl + F

Minimize All
Win + M

Undo Minimize All
Shift + Win +

Display Run dialog boxA Project Gutenberg of Australia eBook

Title: GONE WITH THE WIND
Author: Margaret Mitchell (1900-1949)
eBook No.: 0200161.txt
Edition: 1
Language: English
Character set encoding: ASCII
Date first posted: February 2002
Date most recently updated: February 2002

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A Project Gutenberg of Australia eBook

Title: GONE WITH THE WIND
Author: Margaret Mitchell (1900-1949)



PART ONE



CHAPTER I


Scarlett O'Hara was not beautiful, but men seldom realized it when
caught by her charm as the Tarleton twins were. In her face were
too sharply blended the delicate features of her mother, a Coast
aristocrat of French descent, and the heavy ones of her florid
Irish father. But it was an arresting face, pointed of chin,
square of jaw. Her eyes were pale green without a touch of hazel,
starred with bristly black lashes and slightly tilted at the ends.
Above them, her thick black brows slanted upward, cutting a
startling oblique line in her magnolia-white skin--that skin so
prized by Southern women and so carefully guarded with bonnets,
veils and mittens against hot Georgia suns.

Seated with Stuart and Brent Tarleton in the cool shade of the
porch of Tara, her father's plantation, that bright April
afternoon of 1861, she made a pretty picture. Her new green
flowered-muslin dress spread its twelve yards of billowing
material over her hoops and exactly matched the flat-heeled green
morocco slippers her father had recently brought her from Atlanta.
The dress set off to perfection the seventeen-inch waist, the
smallest in three counties, and the tightly fitting basque showed
breasts well matured for her sixteen years. But for all the
modesty of her spreading skirts, the demureness of hair netted
smoothly into a chignon and the quietness of small white hands
folded in her lap, her true self was poorly concealed. The green
eyes in the carefully sweet face were turbulent, willful, lusty
with life, distinctly at variance with her decorous demeanor.
Her manners had been imposed upon her by her mother's gentle
admonitions and the sterner discipline of her mammy; her eyes were
her own.

On either side of her, the twins lounged easily in their chairs,
squinting at the sunlight through tall mint-garnished glasses as
they laughed and talked, their long legs, booted to the knee and
thick with saddle muscles, crossed negligently. Nineteen years
old, six feet two inches tall, long of bone and hard of muscle,
with sunburned faces and deep auburn hair, their eyes merry and
arrogant, their bodies clothed in identical blue coats and
mustard-colored breeches, they were as much alike as two bolls of
cotton.

Outside, the late afternoon sun slanted down in the yard, throwing
into gleaming brightness the dogwood trees that were solid masses
of white blossoms against the background of new green. The twins'
horses were hitched in the driveway, big animals, red as their
masters' hair; and around the horses' legs quarreled the pack of
lean, nervous possum hounds that accompanied Stuart and Brent
wherever they went. A little aloof, as became an aristocrat, lay
a black-spotted carriage dog, muzzle on paws, patiently waiting
for the boys to go home to supper.

Between the hounds and the horses and the twins there was a
kinship deeper than that of their constant companionship. They
were all healthy, thoughtless young animals, sleek, graceful,
high-spirited, the boys as mettlesome as the horses they rode,
mettlesome and dangerous but, withal, sweet-tempered to those who
knew how to handle them.

Although born to the ease of plantation life, waited on hand and
foot since infancy, the faces of the three on the porch were
neither slack nor soft. They had the vigor and alertness of
country people who have spent all their lives in the open and
troubled their heads very little with dull things in books. Life
in the north Georgia county of Clayton was still new and,
according to the standards of Augusta, Savannah and Charleston, a
little crude. The more sedate and older sections of the South
looked down their noses at the up-country Georgians, but here in
north Georgia, a lack of the niceties of classical education
carried no shame, provided a man was smart in the things that
mattered. And raising good cotton, riding well, shooting
straight, dancing lightly, squiring the ladies with elegance and
carrying one's liquor like a gentleman were the things that
mattered.

In these accomplishments the twins excelled, and they were equally
outstanding in their notorious inability to learn anything
contained between the covers of books. Their family had more
money, more horses, more slaves than any one else in the County,
but the boys had less grammar than most of their poor Cracker
neighbors.

It was for this precise reason that Stuart and Brent were idling
on the porch of Tara this April afternoon. They had just been
expelled from the University of Georgia, the fourth university
that had thrown them out in two years; and their older brothers,
Tom and Boyd, had come home with them, because they refused to
remain at an institution where the twins were not welcome. Stuart
and Brent considered their latest expulsion a fine joke, and
Scarlett, who had not willingly opened a book since leaving the
Fayetteville Female Academy the year before, thought it just as
amusing as they did.

"I know you two don't care about being expelled, or Tom either,"
she said. "But what about Boyd? He's kind of set on getting an
education, and you two have pulled him out of the University of
Virginia and Alabama and South Carolina and now Georgia. He'll
never get finished at this rate."

"Oh, he can read law in Judge Parmalee's office over in
Fayetteville," answered Brent carelessly. "Besides, it don't
matter much. We'd have had to come home before the term was out
anyway."

"Why?"

"The war, goose! The war's going to start any day, and you don't
suppose any of us would stay in college with a war going on, do
you?"

"You know there isn't going to be any war," said Scarlett, bored.
"It's all just talk. Why, Ashley Wilkes and his father told Pa
just last week that our commissioners in Washington would come
to--to--an--amicable agreement with Mr. Lincoln about the
Confederacy. And anyway, the Yankees are too scared of us to
fight. There won't be any war, and I'm tired of hearing about
it."

"Not going to be any war!" cried the twins indignantly, as though
they had been defrauded.

"Why, honey, of course there's going to be a war," said Stuart.
"The Yankees may be scared of us, but after the way General
Beauregard shelled them out of Fort Sumter day before yesterday,
they'll have to fight or stand branded as cowards before the whole
world. Why, the Confederacy--"

Scarlett made a mouth of bored impatience.

"If you say 'war' just once more, I'll go in the house and shut
the door. I've never gotten so tired of any one word in my life
as 'war,' unless it's 'secession.' Pa talks war morning, noon and
night, and all the gentlemen who come to see him shout about Fort
Sumter and States' Rights and Abe Lincoln till I get so bored I
could scream! And that's all the boys talk about, too, that and
their old Troop. There hasn't been any fun at any party this
spring because the boys can't talk about anything else. I'm
mighty glad Georgia waited till after Christmas before it seceded
or it would have ruined the Christmas parties, too. If you say
'war' again, I'll go in the house."

She meant what she said, for she could never long endure any
conversation of which she was not the chief subject. But she
smiled when she spoke, consciously deepening her dimple and
fluttering her bristly black lashes as swiftly as butterflies'
wings. The boys were enchanted, as she had intended them to be,
and they hastened to apologize for boring her. They thought none
the less of her for her lack of interest. Indeed, they thought
more. War was men's business, not ladies', and they took her
attitude as evidence of her femininity.

Having maneuvered them away from the boring subject of war, she
went back with interest to their immediate situation.

"What did your mother say about you two being expelled again?"

The boys looked uncomfortable, recalling their mother's conduct
three months ago when they had come home, by request, from the
University of Virginia.

"Well," said Stuart, "she hasn't had a chance to say anything yet.
Tom and us left home early this morning before she got up, and
Tom's laying out over at the Fontaines' while we came over here."

"Didn't she say anything when you got home last night?"

"We were in luck last night. Just before we got home that new
stallion Ma got in Kentucky last month was brought in, and the
place was in a stew. The big brute--he's a grand horse, Scarlett;
you must tell your pa to come over and see him right away--he'd
already bitten a hunk out of his groom on the way down here and
he'd trampled two of Ma's darkies who met the train at Jonesboro.
And just before we got home, he'd about kicked the stable down and
half-killed Strawberry, Ma's old stallion. When we got home, Ma
was out in the stable with a sackful of sugar smoothing him down
and doing it mighty well, too. The darkies were hanging from the
rafters, popeyed, they were so scared, but Ma was talking to the
horse like he was folks and he was eating out of her hand. There
ain't nobody like Ma with a horse. And when she saw us she said:
'In Heaven's name, what are you four doing home again? You're
worse than the plagues of Egypt!' And then the horse began
snorting and rearing and she said: 'Get out of here! Can't you
see he's nervous, the big darling? I'll tend to you four in the
morning!' So we went to bed, and this morning we got away before
she could catch us and left Boyd to handle her."

"Do you suppose she'll hit Boyd?" Scarlett, like the rest of the
County, could never get used to the way small Mrs. Tarleton
bullied her grown sons and laid her riding crop on their backs if
the occasion seemed to warrant it.

Beatrice Tarleton was a busy woman, having on her hands not only a
large cotton plantation, a hundred negroes and eight children, but
the largest horse-breeding farm in the state as well. She was
hot-tempered and easily plagued by the frequent scrapes of her
four sons, and while no one was permitted to whip a horse or a
slave, she felt that a lick now and then didn't do the boys any
harm.

"Of course she won't hit Boyd. She never did beat Boyd much
because he's the oldest and besides he's the runt of the litter,"
said Stuart, proud of his six feet two. "That's why we left him
at home to explain things to her. God'lmighty, Ma ought to stop
licking us! We're nineteen and Tom's twenty-one, and she acts
like we're six years old."

"Will your mother ride the new horse to the Wilkes barbecue
tomorrow?"

"She wants to, but Pa says he's too dangerous. And, anyway, the
girls won't let her. They said they were going to have her go to
one party at least like a lady, riding in the carriage."

"I hope it doesn't rain tomorrow," said Scarlett. "It's rained
nearly every day for a week. There's nothing worse than a
barbecue turned into an indoor picnic."

"Oh, it'll be clear tomorrow and hot as June," said Stuart.
"Look at that sunset. I never saw one redder. You can always
tell weather by sunsets."

They looked out across the endless acres of Gerald O'Hara's newly
plowed cotton fields toward the red horizon. Now that the sun was
setting in a welter of crimson behind the hills across the Flint
River, the warmth of the April day was ebbing into a faint but
balmy chill.

Spring had come early that year, with warm quick rains and sudden
frothing of pink peach blossoms and dogwood dappling with white
stars the dark river swamp and far-off hills. Already the plowing
was nearly finished, and the bloody glory of the sunset colored
the fresh-cut furrows of red Georgia clay to even redder hues.
The moist hungry earth, waiting upturned for the cotton seeds,
showed pinkish on the sandy tops of furrows, vermilion and scarlet
and maroon where shadows lay along the sides of the trenches. The
whitewashed brick plantation house seemed an island set in a wild
red sea, a sea of spiraling, curving, crescent billows petrified
suddenly at the moment when the pink-tipped waves were breaking
into surf. For here were no long, straight furrows, such as could
be seen in the yellow clay fields of the flat middle Georgia
country or in the lush black earth of the coastal plantations.
The rolling foothill country of north Georgia was plowed in a
million curves to keep the rich earth from washing down into the
river bottoms.

It was a savagely red land, blood-colored after rains, brick dust
in droughts, the best cotton land in the world. It was a pleasant
land of white houses, peaceful plowed fields and sluggish yellow
rivers, but a land of contrasts, of brightest sun glare and
densest shade. The plantation clearings and miles of cotton
fields smiled up to a warm sun, placid, complacent. At their
edges rose the virgin forests, dark and cool even in the hottest
noons, mysterious, a little sinister, the soughing pines seeming
to wait with an age-old patience, to threaten with soft sighs:
"Be careful! Be careful! We had you once. We can take you back
again."

To the ears of the three on the porch came the sounds of hooves,
the jingling of harness chains and the shrill careless laughter
of negro voices, as the field hands and mules came in from the
fields. From within the house floated the soft voice of
Scarlett's mother, Ellen O'Hara, as she called to the little black
girl who carried her basket of keys. The high-pitched, childish
voice answered "Yas'm," and there were sounds of footsteps going
out the back way toward the smokehouse where Ellen would ration
out the food to the home-coming hands. There was the click of
china and the rattle of silver as Pork, the valet-butler of Tara,
laid the table for supper.

At these last sounds, the twins realized it was time they were
starting home. But they were loath to face their mother and they
lingered on the porch of Tara, momentarily expecting Scarlett to
give them an invitation to supper.

"Look, Scarlett. About tomorrow," said Brent. "Just because
we've been away and didn't know about the barbecue and the ball,
that's no reason why we shouldn't get plenty of dances tomorrow
night. You haven't promised them all, have you?"

"Well, I have! How did I know you all would be home? I couldn't
risk being a wallflower just waiting on you two."

"You a wallflower!" The boys laughed uproariously.

"Look, honey. You've got to give me the first waltz and Stu the
last one and you've got to eat supper with us. We'll sit on the
stair landing like we did at the last ball and get Mammy Jincy to
come tell our fortunes again."

"I don't like Mammy Jincy's fortunes. You know she said I was
going to marry a gentleman with jet-black hair and a long black
mustache, and I don't like black-haired gentlemen."

"You like 'em red-headed, don't you, honey?" grinned Brent. "Now,
come on, promise us all the waltzes and the supper."

"If you'll promise, we'll tell you a secret," said Stuart.

"What?" cried Scarlett, alert as a child at the word.

"Is it what we heard yesterday in Atlanta, Stu? If it is, you
know we promised not to tell."

"Well, Miss Pitty told us."

"Miss Who?"

"You know, Ashley Wilkes' cousin who lives in Atlanta, Miss
Pittypat Hamilton--Charles and Melanie Hamilton's aunt."

"I do, and a sillier old lady I never met in all my life."

"Well, when we were in Atlanta yesterday, waiting for the home
train, her carriage went by the depot and she stopped and talked
to us, and she told us there was going to be an engagement
announced tomorrow night at the Wilkes ball."

"Oh. I know about that," said Scarlett in disappointment. "That
silly nephew of hers, Charlie Hamilton, and Honey Wilkes.
Everybody's known for years that they'd get married some time,
even if he did seem kind of lukewarm about it."

"Do you think he's silly?" questioned Brent. "Last Christmas you
sure let him buzz round you plenty."

"I couldn't help him buzzing," Scarlett shrugged negligently. "I
think he's an awful sissy."

"Besides, it isn't his engagement that's going to be announced,"
said Stuart triumphantly. "It's Ashley's to Charlie's sister,
Miss Melanie!"

Scarlett's face did not change but her lips went white--like a
person who has received a stunning blow without warning and who,
in the first moments of shock, does not realize what has happened.
So still was her face as she stared at Stuart that he, never
analytic, took it for granted that she was merely surprised and
very interested.

"Miss Pitty told us they hadn't intended announcing it till next
year, because Miss Melly hasn't been very well; but with all the
war talk going around, everybody in both families thought it would
be better to get married soon. So it's to be announced tomorrow
night at the supper intermission. Now, Scarlett, we've told you
the secret, so you've got to promise to eat supper with us."

"Of course I will," Scarlett said automatically.

"And all the waltzes?"

"All."

"You're sweet! I'll bet the other boys will be hopping mad."

"Let 'em be mad," said Brent. "We two can handle 'em. Look,
Scarlett. Sit with us at the barbecue in the morning."

"What?"

Stuart repeated his request.

"Of course."

The twins looked at each other jubilantly but with some surprise.
Although they considered themselves Scarlett's favored suitors,
they had never before gained tokens of this favor so easily.
Usually she made them beg and plead, while she put them off,
refusing to give a Yes or No answer, laughing if they sulked,
growing cool if they became angry. And here she had practically
promised them the whole of tomorrow--seats by her at the barbecue,
all the waltzes (and they'd see to it that the dances were all
waltzes!) and the supper intermission. This was worth getting
expelled from the university.

Filled with new enthusiasm by their success, they lingered on,
talking about the barbecue and the ball and Ashley Wilkes and
Melanie Hamilton, interrupting each other, making jokes and
laughing at them, hinting broadly for invitations to supper. Some
time had passed before they realized that Scarlett was having very
little to say. The atmosphere had somehow changed. Just how, the
twins did not know, but the fine glow had gone out of the
afternoon. Scarlett seemed to be paying little attention to what
they said, although she made the correct answers. Sensing
something they could not understand, baffled and annoyed by it,
the twins struggled along for a while, and then rose reluctantly,
looking at their watches.

The sun was low across the new-plowed fields and the tall woods
across the river were looming blackly in silhouette. Chimney
swallows were darting swiftly across the yard, and chickens, ducks
and turkeys were waddling and strutting and straggling in from the
fields.

Stuart bellowed: "Jeems!" And after an interval a tall black boy
of their own age ran breathlessly around the house and out toward
the tethered horses. Jeems was their body servant and, like the
dogs, accompanied them everywhere. He had been their childhood
playmate and had been given to the twins for their own on their
tenth birthday. At the sight of him, the Tarleton hounds rose up
out of the red dust and stood waiting expectantly for their
masters. The boys bowed, shook hands and told Scarlett they'd be
over at the Wilkeses' early in the morning, waiting for her. Then
they were off down the walk at a rush, mounted their horses and,
followed by Jeems, went down the avenue of cedars at a gallop,
waving their hats and yelling back to her.

When they had rounded the curve of the dusty road that hid them
from Tara, Brent drew his horse to a stop under a clump of
dogwood. Stuart halted, too, and the darky boy pulled up a few
paces behind them. The horses, feeling slack reins, stretched
down their necks to crop the tender spring grass, and the patient
hounds lay down again in the soft red dust and looked up longingly
at the chimney swallows circling in the gathering dusk. Brent's
wide ingenuous face was puzzled and mildly indignant.

"Look," he said. "Don't it look to you like she would of asked us
to stay for supper?"

"I thought she would," said Stuart. "I kept waiting for her to do
it, but she didn't. What do you make of it?"

"I don't make anything of it. But it just looks to me like she
might of. After all, it's our first day home and she hasn't seen
us in quite a spell. And we had lots more things to tell her."

"It looked to me like she was mighty glad to see us when we came."

"I thought so, too."

"And then, about a half-hour ago, she got kind of quiet, like she
had a headache."

"I noticed that but I didn't pay it any mind then. What do you
suppose ailed her?"

"I dunno. Do you suppose we said something that made her mad?"

They both thought for a minute.

"I can't think of anything. Besides, when Scarlett gets mad,
everybody knows it. She don't hold herself in like some girls
do."

"Yes, that's what I like about her. She don't go around being
cold and hateful when she's mad--she tells you about it. But it
was something we did or said that made her shut up talking and
look sort of sick. I could swear she was glad to see us when we
came and was aiming to ask us to supper."

"You don't suppose it's because we got expelled?"

"Hell, no! Don't be a fool. She laughed like everything when we
told her about it. And besides Scarlett don't set any more store
by book learning than we do."

Brent turned in the saddle and called to the negro groom.

"Jeems!"

"Suh?"

"You heard what we were talking to Miss Scarlett about?"

"Nawsuh, Mist' Brent! Huccome you think Ah be spyin' on w'ite
folks?"

"Spying, my God! You darkies know everything that goes on. Why,
you liar, I saw you with my own eyes sidle round the corner of the
porch and squat in the cape jessamine bush by the wall. Now, did
you hear us say anything that might have made Miss Scarlett mad--
or hurt her feelings?"

Thus appealed to, Jeems gave up further pretense of not having
overheard the conversation and furrowed his black brow.

"Nawsuh, Ah din' notice y'all say anything ter mek her mad. Look
ter me lak she sho glad ter see you an' sho had missed you, an'
she cheep along happy as a bird, tell 'bout de time y'all got ter
talkin' 'bout Mist' Ashley an' Miss Melly Hamilton gittin'
mah'ied. Den she quiet down lak a bird w'en de hawk fly ober."

The twins looked at each other and nodded, but without comprehension.

"Jeems is right. But I don't see why," said Stuart. "My Lord!
Ashley don't mean anything to her, 'cept a friend. She's not
crazy about him. It's us she's crazy about."

Brent nodded an agreement.

"But do you suppose," he said, "that maybe Ashley hadn't told her
he was going to announce it tomorrow night and she was mad at him
for not telling her, an old friend, before he told everybody else?
Girls set a big store on knowing such things first."

"Well, maybe. But what if he hadn't told her it was tomorrow? It
was supposed to be a secret and a surprise, and a man's got a
right to keep his own engagement quiet, hasn't he? We wouldn't
have known it if Miss Melly's aunt hadn't let it out. But
Scarlett must have known he was going to marry Miss Melly
sometime. Why, we've known it for years. The Wilkes and
Hamiltons always marry their own cousins. Everybody knew he'd
probably marry her some day, just like Honey Wilkes is going to
marry Miss Melly's brother, Charles."

"Well, I give it up. But I'm sorry she didn't ask us to supper.
I swear I don't want to go home and listen to Ma take on about us
being expelled. It isn't as if this was the first time."

"Maybe Boyd will have smoothed her down by now. You know what a
slick talker that little varmint is. You know he always can
smooth her down."

"Yes, he can do it, but it takes Boyd time. He has to talk around
in circles till Ma gets so confused that she gives up and tells
him to save his voice for his law practice. But he ain't had time
to get good started yet. Why, I'll bet you Ma is still so excited
about the new horse that she'll never even realize we're home
again till she sits down to supper tonight and sees Boyd. And
before supper is over she'll be going strong and breathing fire.
And it'll be ten o'clock before Boyd gets a chance to tell her
that it wouldn't have been honorable for any of us to stay in
college after the way the Chancellor talked to you and me. And
it'll be midnight before he gets her turned around to where she's
so mad at the Chancellor she'll be asking Boyd why he didn't shoot
him. No, we can't go home till after midnight."

The twins looked at each other glumly. They were completely
fearless of wild horses, shooting affrays and the indignation of
their neighbors, but they had a wholesome fear of their red-haired
mother's outspoken remarks and the riding crop that she did not
scruple to lay across their breeches.

"Well, look," said Brent. "Let's go over to the Wilkes. Ashley
and the girls'll be glad to have us for supper."

Stuart looked a little discomforted.

"No, don't let's go there. They'll be in a stew getting ready for
the barbecue tomorrow and besides--"

"Oh, I forgot about that," said Brent hastily. "No, don't let's
go there."

They clucked to their horses and rode along in silence for a
while, a flush of embarrassment on Stuart's brown cheeks. Until
the previous summer, Stuart had courted India Wilkes with the
approbation of both families and the entire County. The County
felt that perhaps the cool and contained India Wilkes would have a
quieting effect on him. They fervently hoped so, at any rate.
And Stuart might have made the match, but Brent had not been
satisfied. Brent liked India but he thought her mighty plain and
tame, and he simply could not fall in love with her himself to
keep Stuart company. That was the first time the twins' interest
had ever diverged, and Brent was resentful of his brother's
attentions to a girl who seemed to him not at all remarkable.

Then, last summer at a political speaking in a grove of oak trees
at Jonesboro, they both suddenly became aware of Scarlett O'Hara.
They had known her for years, and, since their childhood, she had
been a favorite playmate, for she could ride horses and climb
trees almost as well as they. But now to their amazement she had
become a grown-up young lady and quite the most charming one in
all the world.

They noticed for the first time how her green eyes danced, how
deep her dimples were when she laughed, how tiny her hands and
feet and what a small waist she had. Their clever remarks sent
her into merry peals of laughter and, inspired by the thought that
she considered them a remarkable pair, they fairly outdid
themselves.

It was a memorable day in the life of the twins. Thereafter, when
they talked it over, they always wondered just why they had failed
to notice Scarlett's charms before. They never arrived at the
correct answer, which was that Scarlett on that day had decided to
make them notice. She was constitutionally unable to endure any
man being in love with any woman not herself, and the sight of
India Wilkes and Stuart at the speaking had been too much for her
predatory nature. Not content with Stuart alone, she had set her
cap for Brent as well, and with a thoroughness that overwhelmed
the two of them.

Now they were both in love with her, and India Wilkes and Letty
Munroe, from Lovejoy, whom Brent had been half-heartedly courting,
were far in the back of their minds. Just what the loser would
do, should Scarlett accept either one of them, the twins did not
ask. They would cross that bridge when they came to it. For the
present they were quite satisfied to be in accord again about one
girl, for they had no jealousies between them. It was a situation
which interested the neighbors and annoyed their mother, who had
no liking for Scarlett.

"It will serve you right if that sly piece does accept one of
you," she said. "Or maybe she'll accept both of you, and then
you'll have to move to Utah, if the Mormons'll have you--which I
doubt. . . . All that bothers me is that some one of these days
you're both going to get lickered up and jealous of each other
about that two-faced, little, green-eyed baggage, and you'll shoot
each other. But that might not be a bad idea either."

Since the day of the speaking, Stuart had been uncomfortable in
India's presence. Not that India ever reproached him or even
indicated by look or gesture that she was aware of his abruptly
changed allegiance. She was too much of a lady. But Stuart felt
guilty and ill at ease with her. He knew he had made India love
him and he knew that she still loved him and, deep in his heart,
he had the feeling that he had not played the gentleman. He still
liked her tremendously and respected her for her cool good
breeding, her book learning and all the sterling qualities she
possessed. But, damn it, she was just so pallid and uninteresting
and always the same, beside Scarlett's bright and changeable
charm. You always knew where you stood with India and you never
had the slightest notion with Scarlett. That was enough to drive
a man to distraction, but it had its charm.

"Well, let's go over to Cade Calvert's and have supper. Scarlett
said Cathleen was home from Charleston. Maybe she'll have some
news about Fort Sumter that we haven't heard."

"Not Cathleen. I'll lay you two to one she didn't even know the
fort was out there in the harbor, much less that it was full of
Yankees until we shelled them out. All she'll know about is the
balls she went to and the beaux she collected."

"Well, it's fun to hear her gabble. And it'll be somewhere to
hide out till Ma has gone to bed."

"Well, hell! I like Cathleen and she is fun and I'd like to hear
about Caro Rhett and the rest of the Charleston folks; but I'm
damned if I can stand sitting through another meal with that
Yankee stepmother of hers."

"Don't be too hard on her, Stuart. She means well."

"I'm not being hard on her. I feel sorry for her, but I don't
like people I've got to feel sorry for. And she fusses around so
much, trying to do the right thing and make you feel at home, that
she always manages to say and do just exactly the wrong thing.
She gives me the fidgets! And she thinks Southerners are wild
barbarians. She even told Ma so. She's afraid of Southerners.
Whenever we're there she always looks scared to death. She
reminds me of a skinny hen perched on a chair, her eyes kind of
bright and blank and scared, all ready to flap and squawk at the
slightest move anybody makes."

"Well, you can't blame her. You did shoot Cade in the leg."

"Well, I was lickered up or I wouldn't have done it," said Stuart.
"And Cade never had any hard feelings. Neither did Cathleen or
Raiford or Mr. Calvert. It was just that Yankee stepmother who
squalled and said I was a wild barbarian and decent people weren't
safe around uncivilized Southerners."

"Well, you can't blame her. She's a Yankee and ain't got very
good manners; and, after all, you did shoot him and he is her
stepson."

"Well, hell! That's no excuse for insulting me! You are Ma's own
blood son, but did she take on that time Tony Fontaine shot you in
the leg? No, she just sent for old Doc Fontaine to dress it and
asked the doctor what ailed Tony's aim. Said she guessed licker
was spoiling his marksmanship. Remember how mad that made Tony?"

Both boys yelled with laughter.

"Ma's a card!" said Brent with loving approval. "You can always
count on her to do the right thing and not embarrass you in front
of folks."

"Yes, but she's mighty liable to talk embarrassing in front of
Father and the girls when we get home tonight," said Stuart
gloomily. "Look, Brent. I guess this means we don't go to
Europe. You know Mother said if we got expelled from another
college we couldn't have our Grand Tour."

"Well, hell! We don't care, do we? What is there to see in
Europe? I'll bet those foreigners can't show us a thing we
haven't got right here in Georgia. I'll bet their horses aren't
as fast or their girls as pretty, and I know damn well they
haven't got any rye whisky that can touch Father's."

"Ashley Wilkes said they had an awful lot of scenery and music.
Ashley liked Europe. He's always talking about it."

"Well--you know how the Wilkes are. They are kind of queer about
music and books and scenery. Mother says it's because their
grandfather came from Virginia. She says Virginians set quite a
store by such things."

"They can have 'em. Give me a good horse to ride and some good
licker to drink and a good girl to court and a bad girl to have
fun with and anybody can have their Europe. . . . What do we care
about missing the Tour? Suppose we were in Europe now, with the
war coming on? We couldn't get home soon enough. I'd heap rather
go to a war than go to Europe."

"So would I, any day. . . . Look, Brent! I know where we can go
for supper. Let's ride across the swamp to Abel Wynder's place
and tell him we're all four home again and ready for drill."

"That's an idea!" cried Brent with enthusiasm. "And we can hear
all the news of the Troop and find out what color they finally
decided on for the uniforms."

"If it's Zouave, I'm damned if I'll go in the troop. I'd feel
like a sissy in those baggy red pants. They look like ladies' red
flannel drawers to me."

"Is y'all aimin' ter go ter Mist' Wynder's? 'Cause ef you is, you
ain' gwine git much supper," said Jeems. "Dey cook done died, an'
dey ain' bought a new one. Dey got a fe'el han' cookin', an' de
niggers tells me she is de wustest cook in de state."

"Good God! Why don't they buy another cook?"

"Huccome po' w'ite trash buy any niggers? Dey ain' never owned
mo'n fo' at de mostes'."

There was frank contempt in Jeems' voice. His own social status
was assured because the Tarletons owned a hundred negroes and,
like all slaves of large planters, he looked down on small farmers
whose slaves were few.

"I'm going to beat your hide off for that," cried Stuart fiercely.
Don't you call Abel Wynder 'po' white.' Sure he's poor, but he
ain't trash; and I'm damned if I'll have any man, darky or white,
throwing off on him. There ain't a better man in this County, or
why else did the Troop elect him lieutenant?"

"Ah ain' never figgered dat out, mahseff," replied Jeems,
undisturbed by his master's scowl. "Look ter me lak dey'd 'lect
all de awficers frum rich gempmum, 'stead of swamp trash."

"He ain't trash! Do you mean to compare him with real white trash
like the Slatterys? Able just ain't rich. He's a small farmer,
not a big planter, and if the boys thought enough of him to elect
him lieutenant, then it's not for any darky to talk impudent about
him. The Troop knows what it's doing."

The troop of cavalry had been organized three months before, the
very day that Georgia seceded from the Union, and since then the
recruits had been whistling for war. The outfit was as yet
unnamed, though not for want of suggestions. Everyone had his own
idea on that subject and was loath to relinquish it, just as
everyone had ideas about the color and cut of the uniforms.
"Clayton Wild Cats," "Fire Eaters," "North Georgia Hussars,"
"Zouaves," "The Inland Rifles" (although the Troop was to be armed
with pistols, sabers and bowie knives, and not with rifles), "The
Clayton Grays," "The Blood and Thunderers," "The Rough and
Readys," all had their adherents. Until matters were settled,
everyone referred to the organization as the Troop and, despite
the high-sounding name finally adopted, they were known to the end
of their usefulness simply as "The Troop."

The officers were elected by the members, for no one in the County
had had any military experience except a few veterans of the
Mexican and Seminole wars and, besides, the Troop would have
scorned a veteran as a leader if they had not personally liked him
and trusted him. Everyone liked the four Tarleton boys and the
three Fontaines, but regretfully refused to elect them, because
the Tarletons got lickered up too quickly and liked to skylark,
and the Fontaines had such quick, murderous tempers. Ashley
Wilkes was elected captain, because he was the best rider in the
County and because his cool head was counted on to keep some
semblance of order. Raiford Calvert was made first lieutenant,
because everybody liked Raif, and Able Wynder, son of a swamp
trapper, himself a small farmer, was elected second lieutenant.

Abel was a shrewd, grave giant, illiterate, kind of heart, older
than the other boys and with as good or better manners in the
presence of ladies. There was little snobbery in the Troop. Too
many of their fathers and grandfathers had come up to wealth from
the small farmer class for that. Moreover, Able was the best shot
in the Troop, a real sharpshooter who could pick out the eye of a
squirrel at seventy-five yards, and, too, he knew all about living
outdoors, building fires in the rain, tracking animals and finding
water. The Troop bowed to real worth and moreover, because they
liked him, they made him an officer. He bore the honor gravely
and with no untoward conceit, as though it were only his due. But
the planters' ladies and the planters' slaves could not overlook
the fact that he was not born a gentleman, even if their men folks
could.

In the beginning, the Troop had been recruited exclusively from
the sons of planters, a gentleman's outfit, each man supplying his
own horse, arms, equipment, uniform and body servant. But rich
planters were few in the young county of Clayton, and, in order to
muster a full-strength troop, it had been necessary to raise more
recruits among the sons of small farmers, hunters in the
backwoods, swamp trappers, Crackers and, in a very few cases, even
poor whites, if they were above the average of their class.

These latter young men were as anxious to fight the Yankees,
should war come, as were their richer neighbors; but the delicate
question of money arose. Few small farmers owned horses. They
carried on their farm operations with mules and they had no
surplus of these, seldom more than four. The mules could not be
spared to go off to war, even if they had been acceptable for the
Troop, which they emphatically were not. As for the poor whites,
they considered themselves well off if they owned one mule. The
backwoods folks and the swamp dwellers owned neither horses nor
mules. They lived entirely off the produce of their lands and the
game in the swamp, conducting their business generally by the
barter system and seldom seeing five dollars in cash a year, and
horses and uniforms were out of their reach. But they were as
fiercely proud in their poverty as the planters were in their
wealth, and they would accept nothing that smacked of charity from
their rich neighbors. So, to save the feelings of all and to
bring the Troop up to full strength, Scarlett's father, John
Wilkes, Buck Munroe, Jim Tarleton, Hugh Calvert, in fact every
large planter in the County with the one exception of Angus
MacIntosh, had contributed money to completely outfit the Troop,
horse and man. The upshot of the matter was that every planter
agreed to pay for equipping his own sons and a certain number of
the others, but the manner of handling the arrangements was such
that the less wealthy members of the outfit could accept horses
and uniforms without offense to their honor.

The Troop met twice a week in Jonesboro to drill and to pray for
the war to begin. Arrangements had not yet been completed for
obtaining the full quota of horses, but those who had horses
performed what they imagined to be cavalry maneuvers in the field
behind the courthouse, kicked up a great deal of dust, yelled
themselves hoarse and waved the Revolutionary-war swords that had
been taken down from parlor walls. Those who, as yet, had no
horses sat on the curb in front of Bullard's store and watched
their mounted comrades, chewed tobacco and told yarns. Or else
engaged in shooting matches. There was no need to teach any of
the men to shoot. Most Southerners were born with guns in their
hands, and lives spent in hunting had made marksmen of them all.

From planters' homes and swamp cabins, a varied array of firearms
came to each muster. There were long squirrel guns that had been
new when first the Alleghenies were crossed, old muzzle-loaders
that had claimed many an Indian when Georgia was new, horse
pistols that had seen service in 1812, in the Seminole wars and in
Mexico, silver-mounted dueling pistols, pocket derringers, double-
barreled hunting pieces and handsome new rifles of English make
with shining stocks of fine wood.

Drill always ended in the saloons of Jonesboro, and by nightfall
so many fights had broken out that the officers were hard put to
ward off casualties until the Yankees could inflict them. It was
during one of these brawls that Stuart Tarleton had shot Cade
Calvert and Tony Fontaine had shot Brent. The twins had been at
home, freshly expelled from the University of Virginia, at the
time the Troop was organized and they had joined enthusiastically;
but after the shooting episode, two months ago, their mother had
packed them off to the state university, with orders to stay
there. They had sorely missed the excitement of the drills while
away, and they counted education well lost if only they could ride
and yell and shoot off rifles in the company of their friends.

"Well, let's cut across country to Abel's," suggested Brent. "We
can go through Mr. O'Hara's river bottom and the Fontaine's
pasture and get there in no time."

"We ain' gwine git nothin' ter eat 'cept possum an' greens,"
argued Jeems.

"You ain't going to get anything," grinned Stuart. "Because you
are going home and tell Ma that we won't be home for supper."

"No, Ah ain'!" cried Jeems in alarm. "No, Ah ain'! Ah doan git
no mo' fun outer havin' Miss Beetriss lay me out dan y'all does.
Fust place she'll ast me huccome Ah let y'all git expelled agin.
An' nex' thing, huccome Ah din' bring y'all home ternight so she
could lay you out. An' den she'll light on me lak a duck on a
June bug, an' fust thing Ah know Ah'll be ter blame fer it all.
Ef y'all doan tek me ter Mist' Wynder's, Ah'll lay out in de woods
all night an' maybe de patterollers git me, 'cause Ah heap ruther
de patterollers git me dan Miss Beetriss when she in a state."

The twins looked at the determined black boy in perplexity and
indignation.

"He'd be just fool enough to let the patterollers get him and that
would give Ma something else to talk about for weeks. I swear,
darkies are more trouble. Sometimes I think the Abolitionists
have got the right idea."

"Well, it wouldn't be right to make Jeems face what we don't want
to face. We'll have to take him. But, look, you impudent black
fool, if you put on any airs in front of the Wynder darkies and
hint that we all the time have fried chicken and ham, while they
don't have nothing but rabbit and possum, I'll--I'll tell Ma. And
we won't let you go to the war with us, either."

"Airs? Me put on airs fo' dem cheap niggers? Nawsuh, Ah got
better manners. Ain' Miss Beetriss taught me manners same as she
taught y'all?"

"She didn't do a very good job on any of the three of us," said
Stuart. "Come on, let's get going."

He backed his big red horse and then, putting spurs to his side,
lifted him easily over the split rail fence into the soft field of
Gerald O'Hara's plantation. Brent's horse followed and then
Jeems', with Jeems clinging to pommel and mane. Jeems did not
like to jump fences, but he had jumped higher ones than this in
order to keep up with his masters.

As they picked their way across the red furrows and down the hill
to the river bottom in the deepening dusk, Brent yelled to his
brother:

"Look, Stu! Don't it seem like to you that Scarlett WOULD have
asked us to supper?"

"I kept thinking she would," yelled Stuart. "Why do you
suppose . . ."



CHAPTER II


When the twins left Scarlett standing on the porch of Tara and the
last sound of flying hooves had died away, she went back to her
chair like a sleepwalker. Her face felt stiff as from pain and
her mouth actually hurt from having stretched it, unwillingly, in
smiles to prevent the twins from learning her secret. She sat
down wearily, tucking one foot under her, and her heart swelled up
with misery, until it felt too large for her bosom. It beat with
odd little jerks; her hands were cold, and a feeling of disaster
oppressed her. There were pain and bewilderment in her face, the
bewilderment of a pampered child who has always had her own way
for the asking and who now, for the first time, was in contact
with the unpleasantness of life.

Ashley to marry Melanie Hamilton!

Oh, it couldn't be true! The twins were mistaken. They were
playing one of their jokes on her. Ashley couldn't, couldn't be
in love with her. Nobody could, not with a mousy little person
like Melanie. Scarlett recalled with contempt Melanie's thin
childish figure, her serious heart-shaped face that was plain
almost to homeliness. And Ashley couldn't have seen her in
months. He hadn't been in Atlanta more than twice since the house
party he gave last year at Twelve Oaks. No, Ashley couldn't be in
love with Melanie, because--oh, she couldn't be mistaken!--because
he was in love with her! She, Scarlett, was the one he loved--she
knew it!

Scarlett heard Mammy's lumbering tread shaking the floor of the
hall and she hastily untucked her foot and tried to rearrange her
face in more placid lines. It would never do for Mammy to suspect
that anything was wrong. Mammy felt that she owned the O'Haras,
body and soul, that their secrets were her secrets; and even a
hint of a mystery was enough to set her upon the trail as
relentlessly as a bloodhound. Scarlett knew from experience that,
if Mammy's curiosity were not immediately satisfied, she would
take up the matter with Ellen, and then Scarlett would be forced
to reveal everything to her mother, or think up some plausible
lie.

Mammy emerged from the hall, a huge old woman with the small,
shrewd eyes of an elephant. She was shining black, pure African,
devoted to her last drop of blood to the O'Haras, Ellen's
mainstay, the despair of her three daughters, the terror of the
other house servants. Mammy was black, but her code of conduct
and her sense of pride were as high as or higher than those of her
owners. She had been raised in the bedroom of Solange Robillard,
Ellen O'Hara's mother, a dainty, cold, high-nosed French-woman,
who spared neither her children nor her servants their just
punishment for any infringement of decorum. She had been Ellen's
mammy and had come with her from Savannah to the up-country when
she married. Whom Mammy loved, she chastened. And, as her love
for Scarlett and her pride in her were enormous, the chastening
process was practically continuous.

"Is de gempmum gone? Huccome you din' ast dem ter stay fer
supper, Miss Scarlett? Ah done tole Poke ter lay two extry plates
fer dem. Whar's yo' manners?"

"Oh, I was so tired of hearing them talk about the war that I
couldn't have endured it through supper, especially with Pa
joining in and shouting about Mr. Lincoln."

"You ain' got no mo' manners dan a fe'el han', an' after Miss
Ellen an' me done labored wid you. An' hyah you is widout yo'
shawl! An' de night air fixin' ter set in! Ah done tole you an'
tole you 'bout gittin' fever frum settin' in de night air wid
nuthin' on yo' shoulders. Come on in de house, Miss Scarlett."

Scarlett turned away from Mammy with studied nonchalance, thankful
that her face had been unnoticed in Mammy's preoccupation with the
matter of the shawl.

"No, I want to sit here and watch the sunset. It's so pretty.
You run get my shawl. Please, Mammy, and I'll sit here till Pa
comes home."

"Yo' voice soun' lak you catchin' a cole," said Mammy suspiciously.

"Well, I'm not," said Scarlett impatiently. "You fetch me my
shawl."

Mammy waddled back into the hall and Scarlett heard her call
softly up the stairwell to the upstairs maid.

"You, Rosa! Drap me Miss Scarlett's shawl." Then, more loudly:
"Wuthless nigger! She ain' never whar she does nobody no good.
Now, Ah got ter climb up an' git it mahseff."

Scarlett heard the stairs groan and she got softly to her feet.
When Mammy returned she would resume her lecture on Scarlett's
breach of hospitality, and Scarlett felt that she could not endure
prating about such a trivial matter when her heart was breaking.
As she stood, hesitant, wondering where she could hide until the
ache in her breast subsided a little, a thought came to her,
bringing a small ray of hope. Her father had ridden over to
Twelve Oaks, the Wilkes plantation, that afternoon to offer to buy
Dilcey, the broad wife of his valet, Pork. Dilcey was head woman
and midwife at Twelve Oaks, and, since the marriage six months
ago, Pork had deviled his master night and day to buy Dilcey, so
the two could live on the same plantation. That afternoon,
Gerald, his resistance worn thin, had set out to make an offer for
Dilcey.

Surely, thought Scarlett, Pa will know whether this awful story is
true. Even if he hasn't actually heard anything this afternoon,
perhaps he's noticed something, sensed some excitement in the
Wilkes family. If I can just see him privately before supper,
perhaps I'll find out the truth--that it's just one of the twins'
nasty practical jokes.

It was time for Gerald's return and, if she expected to see him
alone, there was nothing for her to do except meet him where the
driveway entered the road. She went quietly down the front steps,
looking carefully over her shoulder to make sure Mammy was not
observing her from the upstairs windows. Seeing no broad black
face, turbaned in snowy white, peering disapprovingly from between
fluttering curtains, she boldly snatched up her green flowered
skirts and sped down the path toward the driveway as fast as her
small ribbon-laced slippers would carry her.

The dark cedars on either side of the graveled drive met in an
arch overhead, turning the long avenue into a dim tunnel. As soon
as she was beneath the gnarled arms of the cedars, she knew she
was safe from observation from the house and she slowed her swift
pace. She was panting, for her stays were laced too tightly to
permit much running, but she walked on as rapidly as she could.
Soon she was at the end of the driveway and out on the main road,
but she did not stop until she had rounded a curve that put a
large clump of trees between her and the house.

Flushed and breathing hard, she sat down on a stump to wait for
her father. It was past time for him to come home, but she was
glad that he was late. The delay would give her time to quiet her
breathing and calm her face so that his suspicions would not be
aroused. Every moment she expected to hear the pounding of his
horse's hooves and see him come charging up the hill at his usual
breakneck speed. But the minutes slipped by and Gerald did not
come. She looked down the road for him, the pain in her heart
swelling up again.

"Oh, it can't be true!" she thought. "Why doesn't he come?"

Her eyes followed the winding road, blood-red now after the
morning rain. In her thought she traced its course as it ran down
the hill to the sluggish Flint River, through the tangled swampy
bottoms and up the next hill to Twelve Oaks where Ashley lived.
That was all the road meant now--a road to Ashley and the
beautiful white-columned house that crowned the hill like a Greek
Temple.

"Oh, Ashley! Ashley!" she thought, and her heart beat faster.

Some of the cold sense of bewilderment and disaster that had
weighted her down since the Tarleton boys told her their gossip
was pushed into the background of her mind, and in its place crept
the fever that had possessed her for two years.

It seemed strange now that when she was growing up Ashley had
never seemed so very attractive to her. In childhood days, she
had seen him come and go and never given him a thought. But since
that day two years ago when Ashley, newly home from his three
years' Grand Tour in Europe, had called to pay his respects, she
had loved him. It was as simple as that.

She had been on the front porch and he had ridden up the long
avenue, dressed in gray broadcloth with a wide black cravat
setting off his frilled shirt to perfection. Even now, she could
recall each detail of his dress, how brightly his boots shone, the
head of a Medusa in cameo on his cravat pin, the wide Panama hat
that was instantly in his hand when he saw her. He had alighted
and tossed his bridle reins to a pickaninny and stood looking up
at her, his drowsy gray eyes wide with a smile and the sun so
bright on his blond hair that it seemed like a cap of shining
silver. And he said, "So you've grown up, Scarlett." And, coming
lightly up the steps, he had kissed her hand. And his voice! She
would never forget the leap of her heart as she heard it, as if
for the first time, drawling, resonant, musical.

She had wanted him, in that first instant, wanted him as simply
and unreasoningly as she wanted food to eat, horses to ride and a
soft bed on which to lay herself.

For two years he had squired her about the County, to balls, fish
fries, picnics and court days, never so often as the Tarleton
twins or Cade Calvert, never so importunate as the younger
Fontaine boys, but, still, never the week went by that Ashley did
not come calling at Tara.

True, he never made love to her, nor did the clear gray eyes ever
glow with that hot light Scarlett knew so well in other men. And
yet--and yet--she knew he loved her. She could not be mistaken
about it. Instinct stronger than reason and knowledge born of
experience told her that he loved her. Too often she had
surprised him when his eyes were neither drowsy nor remote, when
he looked at her with a yearning and a sadness which puzzled her.
She KNEW he loved her. Why did he not tell her so? That she
could not understand. But there were so many things about him
that she did not understand.

He was courteous always, but aloof, remote. No one could ever
tell what he was thinking about, Scarlett least of all. In a
neighborhood where everyone said exactly what he thought as soon
as he thought it, Ashley's quality of reserve was exasperating.
He was as proficient as any of the other young men in the usual
County diversions, hunting, gambling, dancing and politics, and
was the best rider of them all; but he differed from all the rest
in that these pleasant activities were not the end and aim of life
to him. And he stood alone in his interest in books and music and
his fondness for writing poetry.

Oh, why was he so handsomely blond, so courteously aloof, so
maddeningly boring with his talk about Europe and books and music
and poetry and things that interested her not at all--and yet so
desirable? Night after night, when Scarlett went to bed after
sitting on the front porch in the semi-darkness with him, she
tossed restlessly for hours and comforted herself only with the
thought that the very next time he saw her he certainly would
propose. But the next time came and went, and the result was
nothing--nothing except that the fever possessing her rose higher
and hotter.

She loved him and she wanted him and she did not understand him.
She was as forthright and simple as the winds that blew over Tara
and the yellow river that wound about it, and to the end of her
days she would never be able to understand a complexity. And now,
for the first time in her life, she was facing a complex nature.

For Ashley was born of a line of men who used their leisure for
thinking, not doing, for spinning brightly colored dreams that had
in them no touch of reality. He moved in an inner world that was
more beautiful than Georgia and came back to reality with
reluctance. He looked on people, and he neither liked nor
disliked them. He looked on life and was neither heartened nor
saddened. He accepted the universe and his place in it for what
they were and, shrugging, turned to his music and books and his
better world.

Why he should have captivated Scarlett when his mind was a
stranger to hers she did not know. The very mystery of him
excited her curiosity like a door that had neither lock nor key.
The things about him which she could not understand only made her
love him more, and his odd, restrained courtship only served to
increase her determination to have him for her own. That he would
propose some day she had never doubted, for she was too young and
too spoiled ever to have known defeat. And now, like a thunderclap,
had come this horrible news. Ashley to marry Melanie! It couldn't
be true!

Why, only last week, when they were riding home at twilight from
Fairhill, he had said: "Scarlett, I have something so important
to tell you that I hardly know how to say it."

She had cast down her eyes demurely, her heart beating with wild
pleasure, thinking the happy moment had come. Then he had said:
"Not now! We're nearly home and there isn't time. Oh, Scarlett,
what a coward I am!" And putting spurs to his horse, he had raced
her up the hill to Tara.

Scarlett, sitting on the stump, thought of those words which had
made her so happy, and suddenly they took on another meaning, a
hideous meaning. Suppose it was the news of his engagement he had
intended to tell her!

Oh, if Pa would only come home! She could not endure the suspense
another moment. She looked impatiently down the road again, and
again she was disappointed.

The sun was now below the horizon and the red glow at the rim of
the world faded into pink. The sky above turned slowly from azure
to the delicate blue-green of a robin's egg, and the unearthly
stillness of rural twilight came stealthily down about her.
Shadowy dimness crept over the countryside. The red furrows and
the gashed red road lost their magical blood color and became
plain brown earth. Across the road, in the pasture, the horses,
mules and cows stood quietly with heads over the split-rail fence,
waiting to be driven to the stables and supper. They did not like
the dark shade of the thickets hedging the pasture creek, and they
twitched their ears at Scarlett as if appreciative of human
companionship.

In the strange half-light, the tall pines of the river swamp, so
warmly green in the sunshine, were black against the pastel sky,
an impenetrable row of black giants hiding the slow yellow water
at their feet. On the hill across the river, the tall white
chimneys of the Wilkes' home faded gradually into the darkness of
the thick oaks surrounding them, and only far-off pin points of
supper lamps showed that a house was here. The warm damp
balminess of spring encompassed her sweetly with the moist smells
of new-plowed earth and all the fresh green things pushing up to
the air.

Sunset and spring and new-fledged greenery were no miracle to
Scarlett. Their beauty she accepted as casually as the air she
breathed and the water she drank, for she had never consciously
seen beauty in anything but women's faces, horses, silk dresses
and like tangible things. Yet the serene half-light over Tara's
well-kept acres brought a measure of quiet to her disturbed mind.
She loved this land so much, without even knowing she loved it,
loved it as she loved her mother's face under the lamp at prayer
time.

Still there was no sign of Gerald on the quiet winding road. If
she had to wait much longer, Mammy would certainly come in search
of her and bully her into the house. But even as she strained her
eyes down the darkening road, she heard a pounding of hooves at
the bottom of the pasture hill and saw the horses and cows scatter
in fright. Gerald O'Hara was coming home across country and at
top speed.

He came up the hill at a gallop on his thick-barreled, long-legged
hunter, appearing in the distance like a boy on a too large horse.
His long white hair standing out behind him, he urged the horse
forward with crop and loud cries.

Filled with her own anxieties, she nevertheless watched him with
affectionate pride, for Gerald was an excellent horseman.

"I wonder why he always wants to jump fences when he's had a few
drinks," she thought. "And after that fall he had right here last
year when he broke his knee. You'd think he'd learn. Especially
when he promised Mother on oath he'd never jump again."

Scarlett had no awe of her father and felt him more her contemporary
than her sisters, for jumping fences and keeping it a secret from
his wife gave him a boyish pride and guilty glee that matched her
own pleasure in outwitting Mammy. She rose from her seat to watch
him.

The big horse reached the fence, gathered himself and soared over
as effortlessly as a bird, his rider yelling enthusiastically, his
crop beating the air, his white curls jerking out behind him.
Gerald did not see his daughter in the shadow of the trees, and he
drew rein in the road, patting his horse's neck with approbation.

"There's none in the County can touch you, nor in the state," he
informed his mount, with pride, the brogue of County Meath still
heavy on his tongue in spite of thirty-nine years in America.
Then he hastily set about smoothing his hair and settling his
ruffled shirt and his cravat which had slipped awry behind one
ear. Scarlett knew these hurried preenings were being made with
an eye toward meeting his wife with the appearance of a gentleman
who had ridden sedately home from a call on a neighbor. She knew
also that he was presenting her with just the opportunity she
wanted for opening the conversation without revealing her true
purpose.

She laughed aloud. As she had intended, Gerald was startled by
the sound; then he recognized her, and a look both sheepish and
defiant came over his florid face. He dismounted with difficulty,
because his knee was stiff, and, slipping the reins over his arm,
stumped toward her.

"Well, Missy," he said, pinching her cheek, "so, you've been
spying on me and, like your sister Suellen last week, you'll be
telling your mother on me?"

There was indignation in his hoarse bass voice but also a
wheedling note, and Scarlett teasingly clicked her tongue against
her teeth as she reached out to pull his cravat into place. His
breath in her face was strong with Bourbon whisky mingled with a
faint fragrance of mint. Accompanying him also were the smells of
chewing tobacco, well-oiled leather and horses--a combination of
odors that she always associated with her father and instinctively
liked in other men.

"No, Pa, I'm no tattletale like Suellen," she assured him,
standing off to view his rearranged attire with a judicious air.

Gerald was a small man, little more than five feet tall, but so
heavy of barrel and thick of neck that his appearance, when
seated, led strangers to think him a larger man. His thickset
torso was supported by short sturdy legs, always incased in the
finest leather boots procurable and always planted wide apart like
a swaggering small boy's. Most small people who take themselves
seriously are a little ridiculous; but the bantam cock is
respected in the barnyard, and so it was with Gerald. No one
would ever have the temerity to think of Gerald O'Hara as a
ridiculous little figure.

He was sixty years old and his crisp curly hair was silver-white,
but his shrewd face was unlined and his hard little blue eyes were
young with the unworried youthfulness of one who has never taxed
his brain with problems more abstract than how many cards to draw
in a poker game. His was as Irish a face as could be found in the
length and breadth of the homeland he had left so long ago--round,
high colored, short nosed, wide mouthed and belligerent.

Beneath his choleric exterior Gerald O'Hara had the tenderest of
hearts. He could not bear to see a slave pouting under a
reprimand, no matter how well deserved, or hear a kitten mewing or
a child crying; but he had a horror of having this weakness
discovered. That everyone who met him did discover his kindly
heart within five minutes was unknown to him; and his vanity would
have suffered tremendously if he had found it out, for he liked to
think that when he bawled orders at the top of his voice everyone
trembled and obeyed. It had never occurred to him that only one
voice was obeyed on the plantation--the soft voice of his wife
Ellen. It was a secret he would never learn, for everyone from
Ellen down to the stupidest field hand was in a tacit and kindly
conspiracy to keep him believing that his word was law.

Scarlett was impressed less than anyone else by his tempers and
his roarings. She was his oldest child and, now that Gerald knew
there would be no more sons to follow the three who lay in the
family burying ground, he had drifted into a habit of treating her
in a man-to-man manner which she found most pleasant. She was
more like her father than her younger sisters, for Carreen, who
had been born Caroline Irene, was delicate and dreamy, and
Suellen, christened Susan Elinor, prided herself on her elegance
and ladylike deportment.

Moreover, Scarlett and her father were bound together by a mutual
suppression agreement. If Gerald caught her climbing a fence
instead of walking half a mile to a gate, or sitting too late on
the front steps with a beau, he castigated her personally and with
vehemence, but he did not mention the fact to Ellen or to Mammy.
And when Scarlett discovered him jumping fences after his solemn
promise to his wife, or learned the exact amount of his losses at
poker, as she always did from County gossip, she refrained from
mentioning the fact at the supper table in the artfully artless
manner Suellen had. Scarlett and her father each assured the
other solemnly that to bring such matters to the ears of Ellen
would only hurt her, and nothing would induce them to wound her
gentleness.

Scarlett looked at her father in the fading light, and, without
knowing why, she found it comforting to be in his presence. There
was something vital and earthy and coarse about him that appealed
to her. Being the least analytic of people, she did not realize
that this was because she possessed in some degree these same
qualities, despite sixteen years of effort on the part of Ellen
and Mammy to obliterate them.

"You look very presentable now," she said, "and I don't think
anyone will suspect you've been up to your tricks unless you brag
about them. But it does seem to me that after you broke your knee
last year, jumping that same fence--"

"Well, may I be damned if I'll have me own daughter telling me
what I shall jump and not jump," he shouted, giving her cheek
another pinch. "It's me own neck, so it is. And besides, Missy,
what are you doing out here without your shawl?"

Seeing that he was employing familiar maneuvers to extricate
himself from unpleasant conversation, she slipped her arm through
his and said: "I was waiting for you. I didn't know you would be
so late. I just wondered if you had bought Dilcey."

"Bought her I did, and the price has ruined me. Bought her and
her little wench, Prissy. John Wilkes was for almost giving them
away, but never will I have it said that Gerald O'Hara used
friendship in a trade. I made him take three thousand for the two
of them."

"In the name of Heaven, Pa, three thousand! And you didn't need
to buy Prissy!"

"Has the time come when me own daughters sit in judgment on me?"
shouted Gerald rhetorically. "Prissy is a likely little wench and
so--"

"I know her. She's a sly, stupid creature," Scarlett rejoined
calmly, unimpressed by his uproar. "And the only reason you
bought her was because Dilcey asked you to buy her."

Gerald looked crestfallen and embarrassed, as always when caught
in a kind deed, and Scarlett laughed outright at his transparency.

"Well, what if I did? Was there any use buying Dilcey if she was
going to mope about the child? Well, never again will I let a
darky on this place marry off it. It's too expensive. Well, come
on, Puss, let's go in to supper."

The shadows were falling thicker now, the last greenish tinge had
left the sky and a slight chill was displacing the balminess of
spring. But Scarlett loitered, wondering how to bring up the
subject of Ashley without permitting Gerald to suspect her motive.
This was difficult, for Scarlett had not a subtle bone in her
body; and Gerald was so much like her he never failed to penetrate
her weak subterfuges, even as she penetrated his. And he was
seldom tactful in doing it.

"How are they all over at Twelve Oaks?"

"About as usual. Cade Calvert was there and, after I settled
about Dilcey, we all set on the gallery and had several toddies.
Cade has just come from Atlanta, and it's all upset they are there
and talking war and--"

Scarlett sighed. If Gerald once got on the subject of war and
secession, it would be hours before he relinquished it. She broke
in with another line.

"Did they say anything about the barbecue tomorrow?"

"Now that I think of it they did. Miss--what's-her-name--the
sweet little thing who was here last year, you know, Ashley's
cousin--oh, yes, Miss Melanie Hamilton, that's the name--she and
her brother Charles have already come from Atlanta and--"

"Oh, so she did come?"

"She did, and a sweet quiet thing she is, with never a word to say
for herself, like a woman should be. Come now, daughter, don't
lag. Your mother will be hunting for us."

Scarlett's heart sank at the news. She had hoped against hope
that something would keep Melanie Hamilton in Atlanta where she
belonged, and the knowledge that even her father approved of her
sweet quiet nature, so different from her own, forced her into the
open.

"Was Ashley there, too?"

"He was." Gerald let go of his daughter's arm and turned, peering
sharply into her face. "And if that's why you came out here to
wait for me, why didn't you say so without beating around the
bush?"

Scarlett could think of nothing to say, and she felt her face
growing red with annoyance.

"Well, speak up."

Still she said nothing, wishing that it was permissible to shake
one's father and tell him to hush his mouth.

"He was there and he asked most kindly after you, as did his
sisters, and said they hoped nothing would keep you from the
barbecue tomorrow. I'll warrant nothing will," he said shrewdly.
"And now, daughter, what's all this about you and Ashley?"

"There is nothing," she said shortly, tugging at his arm. "Let's
go in, Pa."

"So now 'tis you wanting to go in," he observed. "But here I'm
going to stand till I'm understanding you. Now that I think of
it, 'tis strange you've been recently. Has he been trifling with
you? Has he asked to marry you?"

"No," she said shortly.

"Nor will he," said Gerald.

Fury flamed in her, but Gerald waved her quiet with a hand.

"Hold your tongue, Miss! I had it from John Wilkes this afternoon
in the strictest confidence that Ashley's to marry Miss Melanie.
It's to be announced tomorrow."

Scarlett's hand fell from his arm. So it was true!

A pain slashed at her heart as savagely as a wild animal's fangs.
Through it all, she felt her father's eyes on her, a little
pitying, a little annoyed at being faced with a problem for which
he knew no answer. He loved Scarlett, but it made him uncomfortable
to have her forcing her childish problems on him for a solution.
Ellen knew all the answers. Scarlett should have taken her troubles
to her.

"Is it a spectacle you've been making of yourself--of all of us?"
he bawled, his voice rising as always in moments of excitement.
"Have you been running after a man who's not in love with you,
when you could have any of the bucks in the County?"

Anger and hurt pride drove out some of the pain.

"I haven't been running after him. It--it just surprised me."

"It's lying you are!" said Gerald, and then, peering at her
stricken face, he added in a burst of kindliness: "I'm sorry,
daughter. But after all, you are nothing but a child and there's
lots of other beaux."

"Mother was only fifteen when she married you, and I'm sixteen,"
said Scarlett, her voice muffled.

"Your mother was different," said Gerald. "She was never flighty
like you. Now come, daughter, cheer up, and I'll take you to
Charleston next week to visit your Aunt Eulalie and, what with all
the hullabaloo they are having over there about Fort Sumter,
you'll be forgetting about Ashley in a week."

"He thinks I'm a child," thought Scarlett, grief and anger choking
utterance, "and he's only got to dangle a new toy and I'll forget
my bumps."

"Now, don't be jerking your chin at me," warned Gerald. "If you
had any sense you'd have married Stuart or Brent Tarleton long
ago. Think it over, daughter. Marry one of the twins and then
the plantations will run together and Jim Tarleton and I will
build you a fine house, right where they join, in that big pine
grove and--"

"Will you stop treating me like a child!" cried Scarlett. "I
don't want to go to Charleston or have a house or marry the twins.
I only want--" She caught herself but not in time.

Gerald's voice was strangely quiet and he spoke slowly as if
drawing his words from a store of thought seldom used.

"It's only Ashley you're wanting, and you'll not be having him.
And if he wanted to marry you, 'twould be with misgivings that I'd
say Yes, for all the fine friendship that's between me and John
Wilkes." And, seeing her startled look, he continued: "I want my
girl to be happy and you wouldn't be happy with him."

"Oh, I would! I would!"

"That you would not, daughter. Only when like marries like can
there be any happiness."

Scarlett had a sudden treacherous desire to cry out, "But you've
been happy, and you and Mother aren't alike," but she repressed
it, fearing that he would box her ears for her impertinence.

"Our people and the Wilkes are different," he went on slowly,
fumbling for words. "The Wilkes are different from any of our
neighbors--different from any family I ever knew. They are queer
folk, and it's best that they marry their cousins and keep their
queerness to themselves."

"Why, Pa, Ashley is not--"

"Hold your whist, Puss! I said nothing against the lad, for I
like him. And when I say queer, it's not crazy I'm meaning. He's
not queer like the Calverts who'd gamble everything they have on a
horse, or the Tarletons who turn out a drunkard or two in every
litter, or the Fontaines who are hot-headed little brutes and
after murdering a man for a fancied slight. That kind of
queerness is easy to understand, for sure, and but for the grace
of God Gerald O'Hara would be having all those faults! And I
don't mean that Ashley would run off with another woman, if you
were his wife, or beat you. You'd be happier if he did, for at
least you'd be understanding that. But he's queer in other ways,
and there's no understanding him at all. I like him, but it's
neither heads nor tails I can make of most he says. Now, Puss,
tell me true, do you understand his folderol about books and
poetry and music and oil paintings and such foolishness?"

"Oh, Pa," cried Scarlett impatiently, "if I married him, I'd
change all that!"

"Oh, you would, would you now?" said Gerald testily, shooting a
sharp look at her. "Then it's little enough you are knowing of
any man living, let alone Ashley. No wife has ever changed a
husband one whit, and don't you be forgetting that. And as for
changing a Wilkes--God's nightgown, daughter! The whole family is
that way, and they've always been that way. And probably always
will. I tell you they're born queer. Look at the way they go
tearing up to New York and Boston to hear operas and see oil
paintings. And ordering French and German books by the crate from
the Yankees! And there they sit reading and dreaming the dear God
knows what, when they'd be better spending their time hunting and
playing poker as proper men should."

"There's nobody in the County sits a horse better than Ashley,"
said Scarlett, furious at the slur of effeminacy flung on Ashley,
"nobody except maybe his father. And as for poker, didn't Ashley
take two hundred dollars away from you just last week in
Jonesboro?"

"The Calvert boys have been blabbing again," Gerald said
resignedly, "else you'd not be knowing the amount. Ashley can
ride with the best and play poker with the best--that's me, Puss!
And I'm not denying that when he sets out to drink he can put even
the Tarletons under the table. He can do all those things, but
his heart's not in it. That's why I say he's queer."

Scarlett was silent and her heart sank. She could think of no
defense for this last, for she knew Gerald was right. Ashley's
heart was in none of the pleasant things he did so well. He was
never more than politely interested in any of the things that
vitally interested every one else.

Rightly interpreting her silence, Gerald patted her arm and said
triumphantly: "There now, Scarlett! You admit 'tis true. What
would you be doing with a husband like Ashley? 'Tis moonstruck
they all are, all the Wilkes." And then, in a wheedling tone:
"When I was mentioning the Tarletons the while ago, I wasn't
pushing them. They're fine lads, but if it's Cade Calvert you're
setting your cap after, why, 'tis the same with me. The Calverts
are good folk, all of them, for all the old man marrying a Yankee.
And when I'm gone--Whist, darlin', listen to me! I'll leave Tara
to you and Cade--"

"I wouldn't have Cade on a silver tray," cried Scarlett in fury.
"And I wish you'd quit pushing him at me! I don't want Tara or
any old plantation. Plantations don't amount to anything when--"

She was going to say "when you haven't the man you want," but
Gerald, incensed by the cavalier way in which she treated his
proffered gift, the thing which, next to Ellen, he loved best in
the whole world uttered a roar.

"Do you stand there, Scarlett O'Hara, and tell me that Tara--that
land--doesn't amount to anything?"

Scarlett nodded obstinately. Her heart was too sore to care
whether or not she put her father in a temper.

"Land is the only thing in the world that amounts to anything," he
shouted, his thick, short arms making wide gestures of indignation,
"for 'tis the only thing in this world that lasts, and don't you be
forgetting it! 'Tis the only thing worth working for, worth
fighting for--worth dying for."

"Oh, Pa," she said disgustedly, "you talk like an Irishman!"

"Have I ever been ashamed of it? No, 'tis proud I am. And don't
be forgetting that you are half Irish, Miss! And to anyone with a
drop of Irish blood in them the land they live on is like their
mother. 'Tis ashamed of you I am this minute. I offer you the
most beautiful land in the world--saving County Meath in the Old
Country--and what do you do? You sniff!"

Gerald had begun to work himself up into a pleasurable shouting
rage when something in Scarlett's woebegone face stopped him.

"But there, you're young. 'Twill come to you, this love of land.
There's no getting away from it, if you're Irish. You're just a
child and bothered about your beaux. When you're older, you'll be
seeing how 'tis. . . . Now, do you be making up your mind about
Cade or the twins or one of Evan Munroe's young bucks, and see how
fine I turn you out!"

"Oh, Pa!"

By this time, Gerald was thoroughly tired of the conversation and
thoroughly annoyed that the problem should be upon his shoulders.
He felt aggrieved, moreover, that Scarlett should still look
desolate after being offered the best of the County boys and Tara,
too. Gerald liked his gifts to be received with clapping of hands
and kisses.

"Now, none of your pouts, Miss. It doesn't matter who you marry,
as long as he thinks like you and is a gentleman and a Southerner
and prideful. For a woman, love comes after marriage."

"Oh, Pa, that's such an Old Country notion!"

"And a good notion it is! All this American business of running
around marrying for love, like servants, like Yankees! The best
marriages are when the parents choose for the girl. For how can a
silly piece like yourself tell a good man from a scoundrel? Now,
look at the Wilkes. What's kept them prideful and strong all
these generations? Why, marrying the likes of themselves,
marrying the cousins their family always expects them to marry."

"Oh," cried Scarlett, fresh pain striking her as Gerald's words
brought home the terrible inevitability of the truth.

Gerald looked at her bowed head and shuffled his feet uneasily.

"It's not crying you are?" he questioned, fumbling clumsily at her
chin, trying to turn her face upward, his own face furrowed with
pity.

"No," she cried vehemently, jerking away.

"It's lying you are, and I'm proud of it. I'm glad there's pride
in you, Puss. And I want to see pride in you tomorrow at the
barbecue. I'll not be having the County gossiping and laughing at
you for mooning your heart out about a man who never gave you a
thought beyond friendship."

"He did give me a thought," thought Scarlett, sorrowfully in her
heart. "Oh, a lot of thoughts! I know he did. I could tell. If
I'd just had a little longer, I know I could have made him say--
Oh, if it only wasn't that the Wilkes always feel that they have
to marry their cousins!"

Gerald took her arm and passed it through his.

"We'll be going in to supper now, and all this is between us.
I'll not be worrying your mother with this--nor do you do it
either. Blow your nose, daughter."

Scarlett blew her nose on her torn handkerchief, and they started
up the dark drive arm in arm, the horse following slowly. Near
the house, Scarlett was at the point of speaking again when she
saw her mother in the dim shadows of the porch. She had on her
bonnet, shawl and mittens, and behind her was Mammy, her face like
a thundercloud, holding in her hand the black leather bag in which
Ellen O'Hara always carried the bandages and medicines she used in
doctoring the slaves. Mammy's lips were large and pendulous and,
when indignant, she could push out her lower one to twice its
normal length. It was pushed out now, and Scarlett knew that
Mammy was seething over something of which she did not approve.

"Mr. O'Hara," called Ellen as she saw the two coming up the
driveway--Ellen belonged to a generation that was formal even
after seventeen years of wedlock and the bearing of six children--
"Mr. O'Hara, there is illness at the Slattery house. Emmie's baby
has been born and is dying and must be baptized. I am going there
with Mammy to see what I can do."

Her voice was raised questioningly, as though she hung on Gerald's
assent to her plan, a mere formality but one dear to the heart of
Gerald.

"In the name of God!" blustered Gerald. "Why should those white
trash take you away just at your supper hour and just when I'm
wanting to tell you about the war talk that's going on in Atlanta!
Go, Mrs. O'Hara. You'd not rest easy on your pillow the night if
there was trouble abroad and you not there to help."

"She doan never git no res' on her piller fer hoppin' up at night
time nursin' niggers an po' w'ite trash dat could ten' to
deyseff," grumbled Mammy in a monotone as she went down the stairs
toward the carriage which was waiting in the side drive.

"Take my place at the table, dear," said Ellen, patting Scarlett's
cheek softly with a mittened hand.

In spite of her choked-back tears, Scarlett thrilled to the never-
failing magic of her mother's touch, to the faint fragrance of
lemon verbena sachet that came from her rustling silk dress. To
Scarlett, there was something breath-taking about Ellen O'Hara, a
miracle that lived in the house with her and awed her and charmed
and soothed her.

Gerald helped his wife into the carriage and gave orders to the
coachman to drive carefully. Toby, who had handled Gerald's
horses for twenty years, pushed out his lips in mute indignation
at being told how to conduct his own business. Driving off, with
Mammy beside him, each was a perfect picture of pouting African
disapproval.

"If I didn't do so much for those trashy Slatterys that they'd
have to pay money for elsewhere," fumed Gerald, "they'd be willing
to sell me their miserable few acres of swamp bottom, and the
County would be well rid of them." Then, brightening, in
anticipation of one of his practical jokes: "Come daughter, let's
go tell Pork that instead of buying Dilcey, I've sold him to John
Wilkes."

He tossed the reins of his horse to a small pickaninny standing
near and started up the steps. He had already forgotten
Scarlett's heartbreak and his mind was only on plaguing his valet.
Scarlett slowly climbed the steps after him, her feet leaden. She
thought that, after all, a mating between herself and Ashley could
be no queerer than that of her father and Ellen Robillard O'Hara.
As always, she wondered how her loud, insensitive father had
managed to marry a woman like her mother, for never were two
people further apart in birth, breeding and habits of mind.



CHAPTER III


Ellen O'Hara was thirty-two years old, and, according to the
standards of her day, she was a middle-aged woman, one who had
borne six children and buried three. She was a tall woman,
standing a head higher than her fiery little husband, but she
moved with such quiet grace in her swaying hoops that the height
attracted no attention to itself. Her neck, rising from the black
taffeta sheath of her basque, was creamy-skinned, rounded and
slender, and it seemed always tilted slightly backward by the
weight of her luxuriant hair in its net at the back of her head.
From her French mother, whose parents had fled Haiti in the
Revolution of 1791, had come her slanting dark eyes, shadowed by
inky lashes, and her black hair; and from her father, a soldier of
Napoleon, she had her long straight nose and her square-cut jaw
that was softened by the gentle curving of her cheeks. But only